陳相因 主編 Hsiang-yin Sasha Chen (ed.)

中央研究院中國文哲研究所 Institute of Chinese Literature and Philosophy Academia Sinica

2020/07

9789865432508

本書分三個部分為讀者開展了十九世紀末期至二十世紀三〇年代之前世界主義與國際主義的左翼文藝歷史，以及在此兩種主義下具備全球化、在地化與草根性的八個代表範例，並詳述箇中細微卻可能致命（由此根源發展演變至其後的史達林與毛澤東時代，一個人屬於什麼主義對其性命極其重要）的差別。

This book is divided into three sections, providing eight transcultural cases of leftist art and literature under cosmopolitanism and internationalism from the late nineteenth century to the 1930s. These representative paradigms also show the subtle but fatal differences between cosmopolitanism and internationalism.

The first section investigates the transcultural writing intentions of Euro-French leftist literature, with specific reference to the novel Jean-Christophe and short stories of the male writers, Roman Rolland and Paul Morand, respectively, before and after the First World War. This section contains two chapters to elucidate the old and new cosmopolitan ideas and their metamorphosis under capitalism and imperialism. The second part, however, targets the theme of internationalist “new women” and Kollontai’s works in the Soviet Union, Japan, and China, demonstrating the development and translation of women’s writing under Marxism and Leninism and the gender differences in contrast to those cosmopolitan male writers in the first section. The last section offers two paradigms of globalization and localization in China and Taiwan to indicate a possible relationship of collaboration between politics and leftist literature.

The study of these eight transcultural cases suggests a highly complicated structure of multilayers of leftist art and literature, which is interlaced, interacted, intergraded, and even interfered with cosmopolitanism, capitalism, internationalism, Marxism, and feminism in different countries and cultures.